The jazz ensemble warmup is a great opportunity to teach some scales that are useful in jazz improvisation. Common modes like mixolydian or dorian will help get the players moving around their horns and will also give them some basic improvisational tools.
Tight rhythm and phrasing are hallmarks of any successful jazz ensemble. Singing is a great way to develop a collective sense of articulation and playing “in the pocket.” Singing through parts allows students to develop an aural sense of the music without the struggle of making it sound on their instrument.
Repertoire selection is the most important job of any director. Great repertoire can culminate and demonstrate of all of the learning that has taken place during rehearsals.
April is Jazz Appreciation Month. It is also Mathematics Awareness Month and National Poetry Month, among others. Why should we choose to celebrate and appreciate jazz instead of trying to solve quadratic limericks or prove iambic pentameter?
Conducting a jazz ensemble is a contradiction in terms for some. Many of the bands that we study, respect, and admire feature no conductor at all.
Jazz festivals are terrific opportunities for bands to travel, perform, and bond. The best festivals provide a high-quality performance experience along with insightful teaching.