When I work with jazz ensembles on style and phrasing, I strongly emphasize that everyone needs to know what instruments they are listening to – and why.
Improving Brass Tone Production
As the school year is now in full swing, let’s turn our thoughts to brass tone production. No doubt, your students are all playing a lot right now and are probably working the muscles more than ever before.
Making Your Winds and Percussion a Cohesive Unit
Ensemble playing in an outdoor environment can be one of the most challenging endeavors we face as educators. Beyond just the sheer listening environment and spatial demands, we must have a clear understanding of how the various percussion ensembles fit into the picture and how they work and interact with the wind section.
Programming Your Jazz Concert
One of the most challenging aspects of being a director is programming a concert. Balancing the interests of the musicians as well as the audience can be a large task.
Mid-Season Marching Adjustments
Having a strong show concept can take you far in marching competition, but the ability to make great mid-season adjustments is something that sets the top programs apart.
Transfering Skills from Concert to Marching Season
When a great screen actor takes on a stage role, they significantly adapt their technique for the larger venue.